following in the footsteps of sawlin and yan cook last year, ann aimee has readied its next release. this one comes from uk tastemaker and radio 1 presenter mosca, and is his first release of the year after previous releases on labels like martyns 3024 and hypercolour

moplen have released killer disco edits on labels like bbe, salsoul, windy city edits and chopshop. now its time for moplen to hit up gamm with two stunning disco excursions.
on the a-side we find a huge remake of classic salsoul jam *jingo* but now with a massive piano intro and loads of percussion breakdowns…heavy!
on the b-side rufus & chakas classic nyc disco anthem *clouds* (what a tune!) gets a dj friendly moplen re-rub.
another g.a.m.m sureshot !

neil landstrumm returns to dont with a collection of some of his finest and most groundbreaking tracks from the tresor era of the mid to late 90s… also included is an alternative version of tension in new york, made at the same time but never released. what with the current resurgence in real techno, the time is right to show the kids of today, what was going on in the 90s and how it still freaks the frame and gets the dancefloor moving all these years later!

support: slam, huxley, jimpster, doc martin....

deepblak co-head & rhythm czar, afrikan sciences (aka eric porter), returns with his second full length project. following the critical acclaim of his 2011 *means and ways* lp the oakland, ca based producer continues to push further into the realms of the rhythmic netherworlds.

the inimitable stl returns with two heavy grooves to share wax alongside two flying beats from label-owner l estasi dell oro. machine language and funky drummers soar straight to the sky.

the first release of parallel pain comes in three cuts, two originals and marcos in dub vs rooteo remix. hag-ridden offers both minimal and techno equally. a cut with great quality sound, exudes class and style, reminds us the good techno from the nineties. the marcos in dub vs rooteo remix, has a personal and sincere approach, with a more dubby and playful sound. in dark matter we found a fabulous track, a powerful synth defines the width of cut. dark matter contains sound passages that invite to close your eyes and explore by yourself what the game is all about. parallel has landed and is here to stay.

limited edition, 100 copies. release presented exclusively on vinyl. no digital copies!
kolokol production opens for you a new moscow project inner square, which presents its debut vinyl release. the single was produced and recorded by mikhail tisik in collaboration with guitarist dennis suddenly. it represents the novel view on modern electro through the prism of harmony and depth of music ideas. stylistically the record is an attempt on one side to combine deep-house and space-disco, and ambient and progressive rock on the other side.

slamming delayed audio vinyl compilation with proper house music

deepblaks chief connoisseur weaves his jazz, funk, & soul influences into deep delicacies. sprinkled with warmth & atmosphere, damons rhythms have the tendency to invite. afrikan sciences joins on *babylonian spliffs*.

audiolith - musical luckybag with a masterplan. ten years from now, back in 2003 the label started as musical one-man-show without any kind of business plan. a decade has passed since then and audiolith grew into a proper company with two associates, employees, office, online mailorder store and not less than 200 releases under its belt. but still some things never change, especially when it comes to release politics. no matter what ever style comes in whenever the boss likes it there will be a release. no compromise, no fear of failure that is what audiolith is all about and lars lewerenz is, has been and stays the musically approving authority, no matter if we talk electropunk, drum n bass, indie or punkrock, hiphop, trap, deep. emotin-driven house or electropop. his widely varied taste is the reason why audiolith still remains fresh and surprising a musical luckybag, but one with a masterplan. now the year is 2013 and audiolith is still loved by many - and hated by some for giving away golden gifts to fans instead of waiting for presents itself.

soul jazz records returns with their most successful series to date, new orleans funk. this new instalment subtitled two-way-pocky-way, gumbo ya ya and the mardi gras mambo features more classic new orleans funk in all its forms.

the experience continues - on double 12 inch vinyl with downloadcode included.

andreas gehm returns to abstract acid with another series of dark and demented basement jams. >a groove ep< features six tracks of his signature style so you know what to expect – its no frills, no nonsense, straight up jack your body business, made for those who still love the sound of that little silver box. limited to 300 copies.

or the latest apartment release 2 interplanetary gangs come face to face in a techno battle for the ages.hailing from the phantom planet we come across forsh, bin man and the red defender, a trio of rebel outlaws whose spaceship is under fierce attack from the muscle patrol, the hi-tech galaxys ultimate and most fearsome tool of oppression. following wave upon wave of acid attack, the outlaws are forced to eject from their ship, landing on a mysterious jungle planet.. unbeknownst to them, the trio have landed on huguenot, infamous for its ghostly shark creatures which rise up to hunt the living…and they smell fresh meat.. meanwhile, travelling across deepest space aboard the viceroy 9-c we find the dean of threenie and e-d aka the beets. they are 2 disparate characters from the planet tr one, infamous for its greenlight sector, a nefarious haven for low-life traders and smugglers. the duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. unlike the phantom planet outlaws, these two know what awaits them on huguenot…or do they.will the beets save the phantom planet outlaws from the bloodlusting creatures of huguenot? will they sell them out to the muscle patrol? or will they join forces to rid the galaxy of its most fierce oppressors? the black gold sat upon your turntable contains all the answers…and more

dmx krew debuts on abstract forms, showing us just what can be done with a collection of vintage synths, impeccable programming skills and a heavy dose of talent. >micro life< is a jam packed ep of eight tracks which venture on the quirky side of the electro genre. this modernist take on a classic style delivers a wonderful sense of melody, refreshing arrangements and innate funk. a master of his craft. limited to 300 copies.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.2 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. this time we have the rare luck to get detroit legend (u.r. keyboard player) niko marks joining forces with 4 astonishing & devastating versions of tom tom club, abc, donna summer & marvin gaye. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item !!

the romanian flow got known to be the favorite one by every dj around the globe when its time to go late in the morning its what we are talking about here on this new dissonant signed by bucarests favorite piticu ...

what began with a long running glaswegian club night called wrong island has turned into a london-based label of the same name. launching in impressive fashion with some auspicious analogue fetishism from m o o n (aka jimmy murphys nephew) wrong island demonstrate their approach will be a diverse one with a second 12 inch that features their own remixes of helium robots and ghanaian-austrian singer, anbuley.

after more than 3 years of a break, were finally back to bring in some fresh and housy tunes! markus schatz, a berlin-based artist already known by releases on cargo edition, salon records and matthias tanzmanns label moon harbour, has gone into work with anneke laurent

2014 repress! we are very glad to celebrate the 10th subotnik with romanian man of the moment ada kaleh. again he satisfied with high quality minimalism techhouse on his third vinyl only release. styled up with a lot of details and little soundscapes, it is just a journey to listen and dance to this music.. you will get what you expect!

played by: max essa, i love disco!, sleazy beats recordings, coyote is it balearic?
review: japans 9dw release their first track for is it balearic..? right on is a super chilled loopy slo mo disco gem. touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. the mushrooms project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. mesmerising. the b side features a track that has been an iib favourite for a couple of years since it was heard live in loop tokyo. this slowave almost out of sync techy chugger is not like anything else. evolving with analogue synths and stabs to become a heads downs stomper. international man of mystery man power adds man power to the track and creates a slightly darker journey into synth land

after whispering the name >the jaydes< for a few months, the dame-music crew is proud to finally reveal their first single >step on light< on a vinyl only release. the jaydes are a collaboration between two friends and studio partners bloody mary and attan. their first remix of anaxander >7 ways< on the last dame-music release was a good introduction to their album, that >step on light< is a hint on what is forthcoming. the album, due in february 2014 will include nine tracks and some serious featuring artists. >step on light< rises from its very strong 80s influences to the 21st century with class and power. the swinging drums and the percussive bass mark the tone and lead the groove all the way till the end.

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

ltd backstock !!
let us say it right away, >the praetorian / rq-170< is breaking new grounds for artist & label equally. stagnation equals death. this to many new side of shed probably presents one of the darker and more experimental sounds of 50 weapons. its not techno. its not dubstep. its not breakcore. its not jungle. its not ambient. its not chill out. its not glitch. its not drone. what is it? epic bass!

italian soundtrack funk that sounds like goblin recording at stax! (wax poetics magazine)
record kicks proudly presents the new album by italian soundtrack funkateers calibro 35! there is one thing that italians do better than others, funky soundtracks. quentin tarantino knows best: soundtracks from italian movies of the 60s and the 70s are the thing! calibro 35 does with music what tarantino does with films. they borrow what they love and they make it their own. with rolling stone magazine words *calibro 35 are the most fascinating, retro-maniac and genuine thing, that happened to italy in the last years*, think at the budos band that meets morricone.

a special record originated from a special day. mr. gs spree to detroits movement festival ended at the notorious need i say more? matinee. held yearly in the backyard of the reputable veterans club the old miami and helmed by a promoters crew named visionquest it cultivates debauchery and fine music. back home, mr. g produced these two tracks with two djs in mind. unsurprisingly, they stroke the mind of djs. heavy bass, mean percussion, double bass, walkie talkie voices! what do you need more?

when hartmood sent us his stuff in the late eighties we were like >oh my gosh its far too early for that kind of next gen shit!< we asked him if he was in a hurry. he said >do what ever you like!< more then two decades later we thought it was time to release his shit. and so we did. we asked boris bunnik and dcnt to do a remix and in the end we even had some more next gen shit!

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

little black book is a new concept series from moda black, part album, part mix compilation, part remix package, part crate digging expedition, the series will play host to some of the most interesting, exciting and innovative electronic music artists and will invite listeners into a more personal place than ever before, as the conducting artist creates a body of work that reflects on their past success whilst venturing into their future aspirations. who better to launch the series than moda black s dynamic talent hot since 82, with this two track 12 sampler laying down an exciting primer for what to expect from a unique new series

leon vynehall and christian piers join forces for a second release as laszlo dancehall for more raw, lo-fi house vibes for the head and hips. early support: george fitzgerald

misty conditions is a project that started off when henry collins and richard wilson met up in henrys studio a couple of years ago and jammed for a few days non-stop, enjoying the process thoroughly. the connection became so good in this period that the duo developed a fluent understanding of how each other worked, ending up as a project made across the internet, while henry was living in france and richard in la. they cross pollinated by developing what each did best, henry making and creating banks of samples and richard creating software and effects to cut up and re-sample, passing the tracks back and forth, essentially until they felt finished.

space ranger are back on lovemonk. after a highly praised debut album, what about the magnetic fields?, the stuttgart gang delivers a new single, push button bang. they have joined forces with la based good night keaton on vocals to deliver a breezy, everlasting-summer anthem. sun-soaked grooves and roads leading to dance parties on the beach flow into the atmosphere when this is playing. aaron shanahan is the man behind good night keaton and he happens to be miami horrors drummer.
two grandiose remixes accompany the original. the legendary jori hulkkonen applies his wisdom to deliver one of his signature, class aa remixes, while up and coming spanish producer kresy, fresh from a wicked release on hivern, delivers a remix that will leave a certain smile on your face for a while. rounding off the single, space ranger step on it and go straight for the dance floor with intenzo, an immense italo-influenced house track.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

limitierte und liebevoll aufgemachte deluxe-vinylausgabe des aktuellen sally shapiro albums als doppel-lp auf klarem vinyl inklusive textbeilage und cd im handbedruckten cover. sold out

basic fingers release no. 15 is patrice larrar aka reverend ps blisteringly good reworks of two very familiar voices. if this is not soul & disco seduction of the highest order we really do not know what to say. truly spellbounding stuff.

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

dj support from larry heard, tim sweeney (beats in space), maurice fulton & eric duncan.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

what we feel for max graef might just be our biggest man-crush ever. we came across his music through his own label box aus holz and were just as stoked as he is to have him as our second release.

an absolute bombshell, *o meu estilo* (my style) is lisbon-based dj nigga foxs record debut. real name rogrio brando, nigga fox came to our knowledge a few months ago, and we were immediately floored by what we were hearing. still in his early 20s, rogrio has already played in all sorts of the greater lisbon clubs, while discreetly refining his own productions. on this 12 inch he presents parts of his unbelievably vast pallet. as the title implies, there s nothing quite like this, even in lisbon s ever more productive and creative beat-based music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

ndv return from summer with their 2nd release which is a bloomin all star va. the idea of the va ep is to showcase the synthy housey technoey sound theyre all about, and what better way to do it than give the vinyl over to some of the most freakishly talented producers out there.

leeds based duo death on the balcony return to seven music after dropping their party perspectives ep on the label in march of this year. mark caramelli and paul hargreaves have been busy boys over the last few years, releasing on esteemed labels such as culprit, pets, silver network and airdrop. their years of experience as djs and record collectors shines through in the pairs productions, but what sets the guys apart from the rest of the rat race is the amount of depth and emotion they manage to pack into their tracks. music that will easily stand the test of time and sound equally as good on the dancefloor, as it will on the headphones!

die new yorker band midnight magic klingt wie das von donna summer und george clinton gezeugte uneheliche kind, von dem niemand wissen soll. die combo um die sängerin tiffany roth kredenzt ein orgiastisches fest aus funk, disco und soul. schon 2010 hat midnight magic auf permanent vacation mit der single beam me up fuer furore gesorgt, ein jahr spaeter folgte hold the line. mit midnight creepers erscheint nun im lp-format eine compilation ihrer besten tracks.

full length album by gb on his own label. we love what this guy is doing anc on his new album he finds more depth within his signature sound. recommended!

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!